These are a higher model of Gotoh mandolin tuners and work great! There is not much else to say about them. Anything in the last couple of years willВ have the latest neck. The necks are still slightly larger than Eastman's and Kentucky Master models. Over the years they have been slimmed down, and are more inline with other mandolins. This is referring toВ the girth, not the nut width. When these models first came out, the necks were larger than normal for an F-style mandolin. I read that the neck is too large, is this true? These have 1-1/8 inch nut width and good string spacing.

While we would call these flat, there actually is a slight radius to them. These mandolins have flat fingerboards, but wait, that is not 100% correct. The Loar Mandolin necks have consistently been the straightest of any we deal with near the price point, but it is still nice to have the dual action rod to compensate for changes over the years. Both these mandolins have dual action truss rods, which means you can take bow out, or if needed, add bow to a neck. Adjustable truss rodДЄctually two way adjustable or dual adjusting truss rods. Both necks have bound fingerboards and the headstocks are also bound. Both have a nice 'V' profile, dovetail neck joints at the 15th fret, extended ebony fingerboardsВ andВ large (for a mandolin) fret wire. They do differ from the lower models though. The necks on the two mandolins are actually the same. ConstructionДЄre the LM-600 and LM-700 mandolins the same part from the look? No, there are some significant differences in the way these two mandolins are made. The LM-700 is easy to distinguish by the Gold and fern inlay. Just based on looks, those are the only differences between the two models. They are just not as high of grade cosmetically.

NotВ to say that the LM-600 does not use good quality woods. They both have solid spruce tops and again, the 700 gets AAA grade. Both have flamed maple back,В sides and neck, with the LM-700's woods exhibiting more figuring. The last cosmetic difference is the grades of wood used. Differences in looks of the two mandolins The LM-600 uses nickel, while the LM-700, features gold hardware for a little more flash. Early versions had a more traditional flower pot design, while the latest versions have a new Greg Rich designed inlay.Д«oth models share the same hardware that consists of stamped two piece tailpieces with Gotoh Tuners. The Loar LM-600-VS Mandolin has a unique take on the flowerpot inlay. In this case the LM-700-VS is the top mandolin in the lineup, so the fern Inlay is fitting. The Loar LM-700-VS has the classic Fern inlay pattern that most makers reserve for their highest models.

Both are F-style mandolins and finished identically. Cosmetic AppointmentsД«ack to the cosmetics. There are important differences in construction as well, that result in each having a unique tone. What is the difference between The Loar LM-600 and LM-700 Mandolins?ДЄt first glance, the LM-600 and LM-700 mandolins look nearly identical with the exception of the inlay and gold vs. LM-600-VS LM-700-VS Mandolin Mandolin Buyers guide The Loar The Loar LM-600 vs LM-700 Mandolin

Morgan monroe banjo vs gold tone 100